First Rehearsal

We hit the floor running – metaphorically and literally, and boy did we have fun.  Tony and I sat for a while discussing our ideal rehearsal practices, then we did a full warmup, and got the rafters ringing in a short space of time.

Then it was onto the floor, and playing, playing, playing. Lots of new stuff for me, considering I’ve been working on this script for over two years now, developing and refining it. I thought I knew it pretty well, but Tony surprised me over and over again. This is – FUN!

PHOTOS will follow…

In the meantime, get lively with your favourite Shakespeare Quotes for our Create an Undiscovered Play Project. It’s open to anyone willing to cough up $2 towards our production fund. And there’s more…

About Flloyd Kennedy
Flloyd has performed as a traditional folk singer, cabaret artist and street performer, as well as being founding artistic director of Golden Age Theatre, Glasgow. She performed in Scotland with a number of touring companies before returning to Australia in 1997. Now based in Brisbane, Australia, Flloyd shares her experience with student and professional actors, professional men and women, community groups and youth theatres. The human voice in performance is her passion and she is deeply committed to encouraging everyone to explore their potential, in all walks of life. She is currently undertaking post graduate research at the University of Queensland, her topic being “The Performing Voice in Theory and Practice”. Flloyd Kennedy's approach to actor training has been influenced by some of the world's foremost voice and theatre practitioners, including Valerii Galendiev of The Maly Drama Theatre of St Petersburg (Russia), Anna Petrova of the Moscow Art Theatre School (Russia), Shauna Kanter (USA), Krszysztov Miklasewski (Poland), Frankie Armstrong, John Wright (England), Harriet Buchan (Scotland), Marcia McCallum (Australia) and Ira Seidenstein (Australia). Flloyd also creates jewellery, using wire-sculpture, wire-wrapping and beading techniques. Find out more at

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